12 Month Warranty*By utilising the latest in Aputure COB LED technology, the 300d Mark II outputs a whopping 20% more light than its predecessor. When combined with the Fresnel 2X, the 300d Mark II can produce up to 80,000 lux, approaching the luminance of a 575W HMI. And as always, the 5500K‐balanced 300d Mark II maintains impeccable colour fidelity with CRI and TLCI ratings of 96+ and 97+ respectively.
A More Robust Lamp Head
The 300d Mark II also introduces new design features, while maintaining the same form factor and lightweight aircraft aluminium body as the original 300d. The new yoke allows for 360° of rotation, and when combined with the handbrake locking mechanism from the 120d Mark II, you’ll be able to mount the light in any position, with any modifier.
Max Efficiency with Hyper Reflector
The 300d Mark II is also the first Aputure light to feature the all-new, hyper efficient 55° reflector. By slightly narrowing the beam from 60° to 55° and redesigning the inner shape and coating of the reflector, we were able to increase the output of the 300d II by more than 3 times, when compared to the original design.
A Revolutionary Redesign
But the real advancement is in the complete redesign of the control box. By utilizing Aputure’s fan‐less heatsink design, the 300d Mark II’s All‐in‐One control box is now completely silent. Composed of a durable aluminum alloy, with a new concealed antenna and military‐grade paracord strap, the control box is ready to withstand the rigor of any film set. The 300d Mark II control box is also the first product to utilize Aputure’s new quick release plate and clamp
system, allowing you to firmly secure it on any stand, truss, or speed rail.
Power Solutions for Indie Filmmakers
The 300d Mark II can produce its maximum output by using two high capacity V‐Mount or Gold Mount batteries, but it also features new technology that allows you to power the light with a single battery at up to half output.* You can use this light anywhere your filmmaking takes you.
The included 6m NEUTRIK® cable provides the 300d II with a sturdy power connection and allows you the convenience of not having to grab a stinger to power your light. And now, by utilizing a standard 3m male‐to‐female 5‐pin XLR, you can easily replace the header cable in a pinch. An optional 7.5m 5‐pin XLR is also available, letting you keep your control box within arm’s reach while giving you the ability to rig your light anywhere you want, from a menace arm to a tall goalpost rig.
(*Due to the high maximum 340‐350W power draw from the light, we recommend only using batteries that are capable of at least 15‐amp continuous power draw.)
New Control Features
The control box of the 300d Mark II features 8 built‐in lighting FX: “Paparazzi”, “Spark”, “Lightning”, “Faulty Bulb”, “TV”, “Pulse”, “Flash”, and “Explosion”, with more coming in future firmware updates via the control boxes USB interface. The control box also features a new “trigger” button to activate lighting FX instantly.
The long‐awaited 0%‐100% stepless dimming control allows you to use the 300d II in low‐light environments or to overpower the sun, and can utilize any of 4 different dimming curves: Linear, Logarithmic, Exponential, and S‐Curve.
The 300d Mark II also features a “studio mode” that allows the lights to turn on and be controlled immediately upon receiving power, making it perfect for DMX lighting grids.
More Options for Control
In addition to the control wheel, the 300d Mark II also features DMX512‐compatibility, a new 2.4Ghz Aputure Wireless remote with an FX toggle button, and the ability to be controlled by the Sidus Link App using our Bluetooth mesh network protocol.
Redesigned Carrying Case
We also made the case with grip trucks and run‐and‐gun filmmakers in mind. The new 300d Mark II carrying case is composed of durable walls with a soft exterior lining that can support up to 100kg, providing both ample protection and a seat for you on set. The bottom of the case is also covered with an easy‐to‐clean, slash‐proof material, letting you rest easy, knowing your 300d Mark II will survive any situation you throw at it.
Specifications
|
Beam Angle |
55° |
|
Colour Temperature |
5500K |
|
Colour Accuracy Standard |
CRI 96 at 5500K |
|
Cooling System |
Passive |
|
Dimming |
Yes, 0 to 100% (Continuous) |
|
Display |
None |
|
Housing Material |
Aluminium |
|
Photometrics |
55° at 5500K: |
|
Fixture Dimensions |
Overall: 11.7 x 8.5 x 13.6" / 298.4 x 215.6 x 344.5 mm |
CONNECTORS
|
Battery Plate |
2 x Gold Mount, V-Mount |
|
Power Input Connector |
powerCON |
|
DMX Connector |
5-Pin XLR |
LENS
|
Reflector Mount |
Bowens S-Type |
MOUNTING
|
Fixture Mount |
5/8" Receiver |
|
Accessory Mount |
None |
YOKE
|
Yoke Type |
Yoke/Bracket |
REMOTE OPERATION
|
Remote Control Type |
Bluetooth, DMX, Proprietary Wireless |
|
Number of DMX Channel Modes |
512 |
|
Wireless Range |
328.1' / 100 m |
|
Wireless Channels / Groups |
3 / 4 |
POWER
|
AC Input Power |
100 to 240 VAC, 50 / 60 Hz at 3.5 A |
|
DC Input Power |
12 to 16.8 VDC |
|
Power Source |
AC Adapter, External Battery |
|
Max Power Consumption |
350 W |
|
Power Pass-Thru |
Yes |
|
Power Supply Dimensions |
11.0 x 5.0 x 3.8" / 278.6 x 126.7 x 96.7 mm |
PACKAGING INFO
|
Package Weight |
12Kg |
|
Box Dimensions (LxWxH inches) |
24.5 x 12.4 x 10.8inches |
Aputure Light Dome II 89cm / 35" Softbox for Light Storm COB (Bowens)
Ideal for portraits or fashion, the Aputure Light Dome II (89cm/35") for Light Storm is a 16-sided light-shaper that offers focused, soft output with a punchy, crisp edge that lends dimension and detail to your subject as well as natural-looking catchlights in their eyes.
The unique 62cm / 24" depth of this modifier renders significant falloff at the field edge and therefore an enhanced degree of directional control, decreased spill light, and easy feathering. The Aputure Light Dome II comes with removable outer and inner diffusers that can be used together, one at a time, or not at all to achieve different levels of contrast. A carry bag is included for storage and transport.
Features:
- 2 Front Diffusers: 1.5 and 2.5 Stops
- Removable Inner Diffuser
- 40° Grid, Gel Filter Holder
- Widely Compatible Bowens Speed Ring
- Carry Bag
- 62cm / 24" Depth for Focused Output
- High-Output Reflective Silver Interior
- Natural-Looking Catchlights
| Shape | Circular/Hexadecagon |
| Interior | Silver |
| Requires Speed Ring | Yes, Included |
| Removable Front Face | Yes |
| Removable Interior Baffle | Yes |
| Light Loss | 1.5 Stops (with Diffuser and Baffle) 2.5 Stops (with Diffuser and Baffle) |
| Circular Dimensions | ø: 34.8 x D: 24.0" / ø: 88.4 x D: 61.0 cm (Open) |
260cm Heavy Duty Light Stand
The 260cm heavy duty light stand tripod features a standard 1/4" thread on one end. It's compatible with most photography and video light fittings. You're able to mount brackets and other accessories directly to the stand including lighting, microphones, brackets and more. Mount Spectrum, Godox, Aputure, Jinbei, Yongnuo, Hypop and many other light fittings directly to this sturdy light stand.
OPTIONAL Stand Upgrade to Silver Heavy Duty Photographic C-Stand With Boom Arm (20kg Load)
The Heavy Duty Photographic C-Stand With Boom Arm is perfect for suspending large and heavy lights, and comes with a counter weight. It's used for mounting flash strobe lights, continuous lights, reflectors, umbrellas, softboxes and other photographic equipment. This heavy duty c-stand has solid locking capabilities and ensures the safety of your mounted lighting equipment when in use, whether that's on-location or in studio.
Sandbags can be placed on the legs or hung on the end of the boom arm to increase the base weight or to counterweight the boom.
Specifications:
- Centre Stand Maximum Height: 3.05 metres / 10ft
- Centre Stand Folded Height: 1.2 metres / 4ft
- Boom Arm Length: 1.2 metres / 4ft
- Material: Stainless Steel
- Colour: Silver
- Maximum Capacity: 20kg
The C stand is stable due to its build and placement of the legs, and can hold up to 20kg of weight. The height of the stand is fully adjustable as well as the length of the boom arm.
